Monday, March 18, 2024

Milestone Running Monday



For more years than I can remember, I have both shopped AND run at Milestone Running store in the North Park neighborhood of San Diego. It’s been so long since I first discovered this place that I don’t even quite remember how I stumbled upon them. Most likely it was from my days of half marathons when I became dissatisfied with the zero-knowledge super stores that purported to be for runners but were more about the sale than being truly helpful. Milestone is in a league of their own, with employees that know about running and take the time to help each person that shops there until they find exactly what they need. If they don’t have it they’ll order it, rather than shove you into something that doesn’t quite do the job but does help clear the inventory. Greg and Chad are the owners that I have gotten to know over the years (no photos of Chad; he’s the shy one that hides in the wings!). Besides running gear, they also “sell” their Wednesday run club. I use quotes because they charge ZERO for this weekly experience. Here’s how run club works: you arrive at 6pm, listen to announcements from Greg (upcoming races, introducing various vendors that are onsite that evening, tips about the evening’s routes), run either the 3 or 5 mile course through the neighborhood, regroup at Milestone, win any number of fun raffle prizes (the coveted one is the weekly pineapple), and then meet at a different eating/drinking establishment afterwards. In case you missed it the first time, they charge zip, zilcho, zero.



When the pandemic hit, many activities went down the toilet as businesses shuttered and we were told to stay inside. No activity was missed more than Wednesday night run club. I was overjoyed when it came back with a vengeance. I forgot that after the run, Milestone also supplies water and either watermelon or orange slices for replenishment.



The prizes are creative beyond belief. Even if I don’t win, half the fun is hearing what Greg and team have concocted. For national coconut day, the bounty I won included a coconut, coconut water, coconut brew, and an almond joy bar.



I have also won the weekly pineapple prize a few times, too.



Run club is about more than just running and prizes; it is an amazing weekly social connection. I have invited many friends and most say, “I’m really not a great runner!” IT DOESN’T MATTER. All skill levels arrive and walk away with having had an incredible time. The camaraderie of this group is off the charts. At last week’s run club, Greg shared a video put together by Brooks. In just about ten minutes, they perfectly capture the spirit of my favorite running store and the incredibly selfless team of people behind it. Definitely worth the watch.



Thanks, Greg & Chad!

See more Daveland photos at my main website.

Thursday, March 14, 2024

All In The Details, Pt. 1



This shot of the white swans in the Disneyland Sleeping Beauty Castle moat from approximately 1957 yields some interesting info. When zooming in, you can see the banner promoting the Richfield Autopia Fantasyland Autopia. Yes, the myths are true. There were once multiple Autopia attractions at Disneyland!



Don’t believe me? Just take a look at this December 1956 image:



I’ve always wondered if that Eagle “landed” anywhere?



Back to the first image…if you shifted your camera to the right, you would see the Monsanto House of the Future, as long as it was June 1957. I am guessing the swan shot was taken before construction on the HOF had begun.



This panorama from December 1956 gives you an idea of what the area surrounding the moat looked like at that time.



No Matterhorn…no Snow White Wishing Well…no House of the Future. Just a mound of dirt and some trees, “themed” as Holiday Hill, Lookout Mountain, Snow Hill, and unofficially “Lover’s Lane.”



Snow White’s Wishing Well joined the landscape here in 1961:





So many tangents from one image.

See more vintage & contemporary Disneyland photos at my main website.

Tuesday, March 12, 2024

Temple Tuesday: Dimples and Romance



Actress Astrid Allwyn had supporting roles in two back-to-back Shirley Temple films, starting with “Dimples” (released October 16, 1936) and followed by “Stowaway” (released December 25, 1936). Allwyn was born Astrid Christofferson on November 27, 1905 in South Manchester, Connecticut. At age 13, she was offered a scholarship to the Boston Conservatory of Music for her singing, but declined rather than move away from home. After high school graduation, she moved to New York, hoping for a career as a concert singer, but ended up taking classes at a business college and becoming a typist on Wall Street. She studied dancing and dramatics while in New York and later gathered experience by joining a stock company. Allwyn made her Broadway debut in 1929 in Elmer Rice’s “Street Scene,” and on the strength of her second play, “Once in a Lifetime,” was brought to Hollywood in 1932. Her first husband was actor Robert Kent, who also starred in “Dimples.” Although she played the gold-digging “other woman” in “Dimples” (Delma Byron, seen below with Robert Kent and Shirley, played the romantic lead) Allwyn ended up winning the leading man in real life. Ain’t that grand?



Allwyn told the story of how she and Kent fell in love in the November 1937 issue of Hollywood Magazine:

Astrid up and got herself married about six months ago to Robert Kent, 20th Century-Fox star, and a mighty good actor in his own right and a chap who is going places in the picture business before he is through. “Frank Morgan can take credit for the start of our romance,” Astrid reveals. “We were shooting a scene in the Shirley Temple picture “Dimples” where Robert was supposed to kiss me. Whether it was because he was shy or because he scarcely knew me,  he suggested to Bill Seiter, the director, that he merely kiss my hand. Bill had some suggestions of his own—and Robert was told to kiss me the way a boy should kiss a girl. Well, the cameras began to grind and we began to kiss. Frank Morgan was supposed to interrupt the embrace with a bit of dialogue but as he said later ‘I didn’t have the heart’ so we kept it up until Bill finally yelled out. From that time on—thanks to Frank Morgan—we began a friendship that ended where we are now—happily married and deeply in love.”

The marriage took place shortly after “Stowaway” wrapped up production, when the two headed south to Tijuana for the ceremony. They married on January 10, 1937, as announced in the Hanover Evening Sun on January 18, 1937:

Astrid Allwyn and Robert Kent, film players, have disclosed they were married Sunday, January 10 in Tijuana, Mexico. The only attendant was J. Edward Bromberg, screen actor. The couple obtained their marriage licenses under their true names of Astrid Christofferson and Douglas Blackley. Their romance began last spring.



Bromberg also costarred in “Stowaway,” seen at left below with Alice Faye, Temple, and Robert Young.



Below are Allwyn and Eugene Pallette in a scene that was ultimately deleted from the final film. Once again, she played a woman with less than desirable morals, about to blackmail Robert Young for some moolah.



The scene below was also deleted from “Stowaway.” Allwyn is barely visible in the final film, hardly earning her onscreen credit.



Despite being “happily married,” Astrid and Robert were divorced in 1941. Allwyn had the distinction of appearing in three Best Picture Oscar nominated films: “The White Parade” (1934), “Love Affair” (1939), and “Mr. Smith Goes to Washington” (1939). She married a second time in 1941 to businessman Charles O. Fee. After filming Hit Parade of 1943 (1943), Astrid made a decision to retire so she could focus on family and raising her children. One of her daughters, Melinda Fee, had a modestly successful career in movies and television. Astrid remained married to Charles until her death in Los Angeles on March 31, 1978 from cancer, at age 72. She is buried in Forest Lawn in Glendale, Court of Freedom, #955.



Above is a publicity shot for Fox, shot by Gene Kornman in 1936. The accompanying blurb:

Hollywood continues to smile upon the small hat and triumphantly demonstrates that size imposes no limits in either beauty or variety. Turbans are strong in the mode and imbued with exceptional charm — as witness this black velvet model by William Lambert, 20th Century-Fox stylist, and worn by lovely Astrid Allwyn, featured player of the same studio. The round crown is effectively trimmed with a black cellophane novelty. The ring worn by Miss Allwyn is one of her heirlooms from Sweden — a floral design in mosaic is set in jet and mounted in antique gold.

She may not have had a huge career, but in Shirley-world, Astrid Allwyn was the perfect villainess for “Dimples.”



See more Shirley Temple photos at my main website.